By Maya Haridas from En Avant magazine Jan-Feb 2023 Two weeks at the Australian Ballet School with Jazmine Bhanushali and Radha Nambisan How and why did you decide to attend the Australian Ballet School Summer Program? Radha - Ballet has always been a passion of mine and I’ve been looking to be a professional. In order to do that I ...
How Ballet Heals
By Anagha Madhan and Aashaya Anand as seen in En Avant Magazine Nov-Dec 2022 Going to ballet class every week has been an integral part of our lives for as long as we remember. We couldn’t ever completely describe the ways in which it has moulded and shaped us, both physically and mentally. On days that we feel lost, a ...
Progression of Steps
By Arpitha Bhat, Neerja Chandan & Maya Haridas, from En Avant Nov-Dec 2022 When you started ballet, did you ever wonder how the little hops and skips you did would turn into the grand, spectacular movements that you watched the “big girls” do? In this article, you’ll get to see how four simple steps progress, grow and transform through the ...
A Whole New World – Elina Wisung
By Aradhana Kiran and Maya Haridas, as seen in En Avant Nov-Dec 2022 Elina Wisung has been training with Ms Yana since 2001, and has been teaching with TLFCB since 2006. Read on to find out about her early experiences in dance. How old were you when you did your first ballet class? Why did you start learning ballet? What ...
A Whole New World – Javier Wong
By Aradhana Kira, En Avant Magazine Sept Oct 2022 Javier is a student at the Royal Ballet School, London. Through August 2022 he attended ballet classes at TLFCB. Find out about his journey in the professional ballet school world. When did you start dancing? It’s been a really long time. I’ve been dancing since I was four years old, so ...
Ballet’s Most Haunted – Antagonists
by Aashaya Anand & Arpitha Bhat from En Avant Magazine September October 2022 The villains and antagonists we see in ballet represent our unfiltered emotions — rage, fury, envy and so on. Instead of suppressing these emotions, they embody them. They serve as more than just a means of conflict for the main character, often having more character than the ...
A Whole New World – Indiana Mehta
BY Maya Haridas, Aradhana Kiran & Siddhie Pillai as seen in En Avant July-August Feature photo by Jaclyn Vogl Photography Indiana Mehta is a dancer, choreographer, voiceover artist and an actor in award-winning Netflix film Work It. She is currently living and working in Canada. Find out about her journey with us at TLFCB and beyond. When did you start ...
A Whole New World – Rukmini Vijayakumar
by Maya Haridas, Aradhana Kiran & Siddhie Pillai, as seen in En Avant July-August Feature photo by Soozana Pvan Rukmini Vijayakumar is a very well reputed dancer, choreographer and actor in regional films. She is the founder of the Raadha Kalpa Dance Company and the originator of the Raadha Kalpa Method, a system of training for classical Indian dance. She ...
Costumes Through the Ages
BY MAYA HARIDAS from En Avant Magazine May-June 2022 When you watch a ballet performance there are a million things that tell you what is going on: the music, the scenery, the lighting, the choreography… But what the dancers are clad in plays an enormous part in your experience. The Nutcracker’s Mouse King wouldn’t be quite so frightening were he ...
Methods of Ballet
By Maya Haridas, Siddhie Pillai & Aradhana Kiran - En Avant Magazine Mar-Apr 2022 With a history that spans centuries and across multiple countries, ballet has had years and years of experimentation and artistic inspiration to arrive at the methods that dancers are taught today. Each method has its own specific nuances that add different layers to its technical and artistic features. The Lewis Foundation of Classical Ballet is ...
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